cetaceans Archives - When We Talk About Animals

“When I see people standing on the faces of cetaceans, what is it that they’re doing? We’re mastering,” Cowperthwaite says. “We’re trying to be bigger than and better than them. What does that say about us?”

The filmmaker Gabriela Cowperthwaite, did not set out to make a film that would force a national moral reckoning over how we keep whales in captivity, slash the profits of SeaWorld, and make her an unexpected enemy of a multi-billion dollar industry. But that’s what happened. Cowperthwaite wasn’t a marine mammal activist before she made the documentary Blackfish. She was a mom who had taken her kids to SeaWorld, and she was a talented filmmaker, with over a dozen years of experience creating TV documentaries. She set out to tell the truth, and the truth — told by Cowperthwaite — proved to be, like the orcas themselves, complicated and powerful.

Blackfish is the story of a single 12,000-pound protagonist, a performing orca bull named Tilikum, who killed three people while in captivity. In tracing Tilikum’s narrative, from his violent capture in the wild as a two-year-old orca to his life as a highly feeling and intelligent animal becoming psychotic while living in what one interviewee calls “a bathtub,” Cowperthwaite reveals the orcas’ extraordinary nature, the horror of how we have treated them in captivity for so long without understanding or acknowledging the consequences, and the profound regret of trainers who once cared for Tilikum. In doing so, Cowperthwaite illuminated for the American public the profound disconnect between Sea World’s public image and the reality of what it means for humans to treat orcas this way.

“As a little kid, the thing you do when you go to [zoos] is knock on the glass,” Cowperthwaite says. “It’s the first thing you do. Even as an adult you have to stop your impulse to tap on the glass. It’s not that you want to see [the animal], it’s that you want it to see *you*. The idea that we will be acknowledged by something ‘out there’ is electrifying to us.”

Shot on a budget of just $76,000 and released in 2010, Blackfish has been viewed by more than 60 million people and has become one of the most impactful and successful documentary films of all time. Sea World’s stock price plummeted 60 percent following the film’s theatrical premiere, the U.S. House of Representatives voted unanimously to provide $1 million toward a study on the effects of captivity on orcas, and celebrities, airlines, fast food giants and musical tour groups spoke against and dropped associations with Sea World. Eventually, the company responded to public pressure by announcing changes at its theme parks, including officially ending its orca breeding program and phasing out orca shows all together by the end of 2019. Cowperthwaite’s David slayed SeaWorld’s Goliath not with a sword, but with a story.

“[T]here are places in the world where the spoken word doesn’t travel very far,” Dr. Diana Reiss says. “In these areas, there are people who convert their spoken words into whistle languages. They whistle the prosody, or the intonation, of the spoken language… You can look at a whistle sequence that looks like a dolphin whistle or a bird whistle, and it’s actually a human sentence that is communicating enough that another could decode it. When we look at whistles of birds or dolphins, they look simple and we don’t think about what kind of information might be in there.”

For thousands of years, humans have been enthralled with dolphins. In Ancient Greece, dolphins were considered closer to the gods than any other creature, viewed as half divine messengers between men and gods. To kill a dolphin was an offense punishable by death. The second century Greco-Roman poet Oppian wrote, “Diviner than the Dolphin is nothing yet created for indeed they were aforetime men and lived in cities along with mortals.” Reverence for these creatures was not limited to the Greeks. There are caves in the French Pyrenees with Ice Age era dolphin engravings. Stories about dolphins are part of the Australian Aborigines’ understanding of the world known as “Dreamtime.” To the Maori of New Zealand, dolphins have long been seen as water spirits who can carry messages from island to island in times of need.

“I always felt that just putting yourself aside for a moment and just seeing what you can see, hearing what you can hear, you’ll see patterns or hear patterns emerge,” Reiss says. “And that can inform what you do and the kind of questions you ask. In that way, I think we can partner with animals. My best ideas about animals come from the animals themselves.”

We are separated by 95 million years of evolution, and yet we intuitively feel a striking kinship and admiration for these intelligent creatures. Of course, mythologies like these, as our guest has pointed out, are not verified or scientific truths. “But,” she writes, “mythologies reach a different, deeper kind of truth, one that relies on resonance, not on demonstrable evidence. Mythologies do not account for the origin of people or dolphins in the way that scientific theories do, but mythologies tell us something about who we believe ourselves to be, our values and our place in the world in relation to all the other creatures of nature.”

Tag: cetaceans

Ep. 20 – Gabriela Cowperthwaite on the legacy of “Blackfish”

Ep. 11 – Diana Reiss on recognizing the dolphins in the mirror