Ep. 38 – Margaret Renkl on finding wonder, grief, and inspiration in backyard nature

“When things get overwhelming in the larger world, what I tend to do is look at smaller things, pay attention to what’s living in my pollinator garden,” Margaret Renkl says. “This year we had a bird grasshopper. I’ve never seen one in this yard in 25 years in this house. One of those very large, finger-long grasshoppers. It was hilarious because it just set up camp there and watched me while I was doing what I needed to do. And that was just very encouraging, to see life going on.” (Photo by Heidi Ross)

In the long months we’ve all been confined to our homes, many people have become reacquainted with the vibrant life just outside their doors. Through the exploding interest in birdwatching, gardening, and other backyard adventures, even in the face of this year’s grief and pain, many people have found unexpected joy, companionship, and hope through partaking in the cycles of love and loss that happen in the skies and yards around us. The author E.B. White wrote, “Always be on the lookout for the presence of wonder.” It is this wonder, from the nesting chipmunk family under her house, to watching a monarch butterfly emerge from a chrysalis in her yard, that our guest in this episode captures so evocatively. Through her writing, Margaret Renkl offers a vast window to that wonder, conveying the profundity to be found in the wild–and not so wild–world and how we live in concert with other living beings. 

But these days, loving nature and mourning it go hand in hand. At the foundation of our environmental crises lies humanity’s extreme disconnect from nature. From disappearing forests and rising seas to shorter winters and toxin-laced waters, humans have tried to dominate the natural world, attempting to see ourselves as distinct and untethered from the other living things around us. Renkl is a voice for celebrating our communion with the natural world once again and changing how we live. As she wrote in one of her recent New York Times columns on the mass killing of millions of minks in Denmark that contracted coronavirus, “Our mistake was only partly in believing that the natural world was ours for the taking. Our mistake was also in failing to understand that we ourselves are part of the natural world. If this pandemic has taught us anything it’s that we cannot escape the world we have shaped. We must begin right now to make preserving biodiversity a priority, to make protecting wildlife habitats a priority, to make living in closer harmony with our wild neighbors a priority.”

Renkl’s columns are often love letters to the Tennessee’s flora and fauna. “How lucky I am to live in a home with windows,” she writes in “Hawk. Lizard. Mole. Human.” “Against all odds — the encroachments of construction companies and lawn services and exterminators — these windows still open onto a world that stubbornly insists on remaining wild.” (Photo by U.S. Army Corps of Engineers)
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Ep. 37 – Monica Gagliano on plant intelligence and human imagination

Are plants intelligent? Can they think and feel? Can they communicate, learn, and solve problems? Throughout history, most Western philosophers and scientists answered these questions with a resounding “no.” Plants, despite having evolved so successfully that they account for about 80 percent of the world’s biomass, have long been treated as inanimate, silent, and unaware. In ancient Greece, Aristotle situated them below animals and just above minerals on his hierarchy of the perfection of living things. In this primitive yet still dominant view, plants are considered passive objects that form the backdrop to our active lives, rather than highly sensitive organisms with intelligence and agency of their own. 

 For centuries, indigenous healers and shamans around the world have learned from listening to plants. After conversing with plants in dreams and visions during a visit to the Peruvian rainforest, Dr. Monica Gagliano returned to her university inspired and began a series of groundbreaking and highly imaginative experiments on plant communication. “The plants themselves are the teacher,” she says. (Photo courtesy of North Atlantic Books)

But on the cutting edge of modern science, this orthodoxy is being questioned by scientists — including our guest Dr. Monica Gagliano — who think that plants are radically more sophisticated and sensitive than we’ve been giving them credit for. These plant researchers are willing to imagine the possibility that plants have senses like ours: the ability to hear, smell, see, taste, and feel; capabilities like learning, memory, and social networks; as well as entirely distinct ways of interacting with the world, such as detecting and responding to vibrations, electromagnetic fields, and chemical signals. Thanks to this growing body of work, we now know, for example, that some plants can hear the sounds of animal pollinators and react by sweetening their nectar; that plants can send airborne, chemical messages to warn each other of dangerous pests; and that plants can exchange carbon and signals through the fungal “wood wide web” connecting their roots. This new understanding of plants as active, information-processing organisms with complex communication strategies has led to the exciting and controversial field of “plant cognition.” 

Dr. Monica Gagliano is an evolutionary ecologist whose daring and imaginative research has expanded our perception of plants and animals. Persevering against the scientific establishment, she pioneered the field of “plant bioacoustics,” the study of sounds produced by and affecting plants. The results of her groundbreaking experiments suggest that plants may possess intelligence, memory and learning, via mechanisms that differ from our own. Gagliano is a research associate professor at the University of Western Australia, and is the author of Thus Spoke the Plant. Her work has been featured by Michael Pollan in The New Yorker and on the RadioLab episode, “Smarty Plants.” She is currently based at the University of Sydney.

The plants used in Gagliano’s experiments, such as pea seedlings, rescued the scientist in her. “I was prepared to do something else,” she tells us, “but the plants were like, ‘Oh, not so fast! We’ve got some work for you. And you can take a sample, you can take a leaf, you can take whatever you need and that doesn’t kill us. So why don’t you work with us.'”
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Ep. 36 – Rebecca Giggs on the world in the whale

“A whale is a wonder not because it’s the world’s biggest animal, but because it augments our moral capacity.” – Rebecca Giggs (Photo by Leanne Dixon.)

In her genius debut book Fathoms: The World in the Whale, writer Rebecca Giggs introduces readers to blue whales that exhale canopies of vapor so high that their blowholes spout rainbows, to spade-toothed beaked whales that are so rare they’ve never been seen alive, and to sperm whales whose clinks are louder than the heaviest space rocket ever launched from Earth. In prose so deft it ought to be called poetry, Giggs describes scientific research on how whales shift the chemical makeup of our atmosphere, how they respond to solar storms that migrate vast unseen geomagnetic mountain ranges, and how a bestiary’s worth of fantastic creatures flourishes in whale carcasses as they sink to the ocean floor. 

“Every species is a magic well,” E.O. Wilson wrote. “The more you draw from it, the more there is to draw.” But, as Fathoms illuminates, there’s more than just mystery and wonder in the wells these days. Animals’ bodies and lives are polluted with reminders of ourselves. Into these magic wells, we have dumped our plastics and our poisons.  As one example, Giggs describes a sperm whale that washed up dead on Spain’s southern coast. In its ruptured digestive tract, scientists found an entire flattened greenhouse that once grew wintertime tomatoes, complete with plastic tarps, plastic mulch, hoses, ropes, two flower pots, and a spray canister. The whale had also swallowed an ice cream tub, mattress parts, a carafe, and a coat hanger. And that was just the obvious human refuse. Toxins build up in whale blubber over years such that the concentration of pollutants in some whale bodies far exceeds that of the environment around them. We have turned the world’s largest animals into hazardous waste. ‘‘Would we know it,” Giggs asks, “the moment when it became too late; when the oceans ceased to be infinite?” 

In the past, Rebecca Giggs says, “we thought the sea was kind of timeless and it would remain as it was ever so. Now that we know that it’s not that way, we also need to recognize that our power to change is there too – that we are not condemned to be changeless. I hope that, while the extent of our influence is revealed to be vast, so then too is our capacity to withhold damage.”
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Ep. 35 – J. Drew Lanham on finding ourselves magnified in nature’s colored hues

For Dr. Joseph Drew Lanham, love is a necessary component of science. “The left brain part of us is important as scientists, but ultimately what made me want to be a scientist was my love of birds: wondering where those snowbirds came from,  wondering how those bobwhite quail survived from one thicket to the next, understanding that those eastern king bird were making these flights from tropical places every year to be at the home place. That was the beginning of the scientist, of the ornithologist, but that wouldn’t have happened without the love.” Photo courtesy of J. Drew Lanham.

From his earliest days growing up in the piedmont forests and fields of Edgefield South Carolina, Dr. Joseph Drew Lanham dreamed of flight. As he writes in his beautiful and deeply moving memoir, The Home Place: Memoirs of a Colored Man’s Love Affair with Nature, this longing to join the aerial journeys of the blue jays that stole his grandmother’s pecans and the crows that invaded his father’s cornfield, led to Dr. Lanham’s lifelong dedication to studying birds and to exploring what it means to be a ‘rare bird’ himself: a black man in a field that is overwhelmingly white and an ecologist finding freedom through wildness on land where his ancestors were enslaved. While the cardboard wings he made as a child never achieved the skyward paths of the feathered beings he studies, his work — both academic and literary — has uplifted and inspired people around the world, and elevated and illuminated conversations about race, nature, history, freedom, and the power of birds.

Dr. Lanham believes ecologists experience a “trifecta of love, mourning, and loss – we’re in it because we love it, we mourn because we’re losing it, and we work hard because we want to save it. Hopefully in some of the saving comes celebration; and the celebration comes through hopefully in the writing. That’s part of my celebration, is to write, is to be able to talk about it, is to be able to hopefully sometimes bring some idea of the wonder of some rare bird to more people than might ever see it.” Photo courtesy of J. Drew Lanham.

In Dr. Lanham’s field of wildlife ecology, loss and hope are yoked. Since 1970, scientists estimate that three billion North American birds (nearly one in every three) have vanished — a staggering loss includes many backyard species that we have long taken for granted: sparrows, warblers, finches, blackbirds. In his research, Dr. Lanham has focused on the impacts of forestry and other human activities on the lives and disappearance of birds, butterflies, and other small forest creatures. You don’t just hear and see these animals, Dr. Lanham has said. You feel them, and when they’re gone, their absence is akin to the absence of a lover or a friend.

John James Audubon’s portrait of the now-extinct Carolina Parakeets. In his essay “Forever Gone,” Lanham points out that the escaped enslaved and Carolina parakeets both found refuge in the same deep swamp forests of the American South. “In the convergence of demands for human dignity and freedom, and nonhuman survival and existence, there are islands of empathy that emerge between our braided-river beings.

Lanham has written extensively about the deep and often overlooked connections between how we treat nature and how we treat our fellow humans. In 2013, he published a groundbreaking essay called “9 Rules for the Black Birdwatcher” that conveys the very real dangers that he and Black birders face–dangers brought to the national spotlight earlier this year from Christian Cooper’s assault while birding in Central Park. Racism and driving other creatures to extinction, Dr. Lanham says, are both built on the corrupt human belief that some are worthier than others. For humans and animals alike, he has said, “the fine line between life and death” is “defined by how intensely we care.”

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